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Mostrando postagens com marcador Boston Garden. Mostrar todas as postagens
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27/09/2019

Pink Floyd ‎– Definitive Boston 1977 - 27th June 1977 (Sigma 226) FLAC



Shine On You Crazy Diamond (Part 1-5) 1977-06-27


Pink Floyd em Boston Garden, Boston, MA, USA 27 de junho de 1977. O desempenho é excelente, a banda estava avançando ao final da turnê, portanto uma apresentação consistente, equilibrada, quase impecável. O grupo oferece um show extremamente agradável, com muitos momentos de destaque.

Sobre o registro:
Em 2012, Steve Hopkins gentilmente cedeu à equipe JEMS, sua excelente fita master do Pink Floyd, uma incrível gravação em Boston, no dia 27 de junho de 1977, no famoso Boston Garden em uma apresentação magistral da banda que Roger Waters encerra declarando: "Perfect End To A Perfect Day! Good Night. God Bless"... Certamente uma das melhores fitas da turnê de 1977. A gravadora japonesa Sigma aproveitou a oportunidade da obtenção deste arquivo maravilhoso, e lançou sua versão intitulada "Definitive Boston 1977", com seu peculiar excelente processo de masterização obtendo o melhor resultado possível, que consideram definitivo. Boa audição!



Shine On You Crazy Diamond (Part 6-9) 1977-06-27


Abaixo, confira matéria da Sigma a respeito deste precioso lançamento:


Pink Floyd / Definitive Boston 1977 / 2CD / Sigma 226

The excitement goes beyond the top and finally to the “extreme point”.

The tapered team JEMS dropped directly from the master cassette owned by Steve Hopkins Pink Floyd It was in 2017 that the Boston performance of 1977 was released online. Although this public sound source had a short part missing in 5 places, it was mixed with the same day recording of Dan Lampinski, finished to the highest sound quality and the longest version of the past, and the world’s fastest press release was played It was Sigma label “BOSTON 1977 MASTER TAPES (Sigma 177)”. This title, which appeared in overwhelming sound impact and longest recording time, called great reactions, and because of its good sound quality, it is a piece sold out shortly due to the rush of orders from overseas.

Although it is supposed to be impossible beyond that, this Sigma 177 board was a title that mainly focused on the shock of the master tape original sound, although it was mixing the same day recording of the rampin ski as described above So basically it was one piece that was made without exercising no equalization and no remaster, and in terms of quality perfect feeling it was also a fact that there was room for improvement in two respects.

that is,

(1) Overall remaster operation
(2) Degradation of the tape which was still somewhat near 9:07 of “Sheep”

is. Especially (1) was a very high quality original sound, so there was no necessity or reason to do that, in other words, “If you remastered that superb source with the current state of the art how much Ultra Sound Is it possible to say that the time has passed while the task of tickling the hearing is left, …? What if it were the perfectly resolved longest recorded version that solved the problem of (2) above? Yes, the 77th Boston Decision Version of the penetration that made it a reality is this work !!

However, I think that there are many people who have doubts as to what kind of remaster it is specifically based on only the original excellent recordings. Especially in the case of this recording, it seems that the seat where Hopkins was in was “Section AA, Row 10, Seat 3 – 4” and it was found that the sound coming from the PA at the venue was in a position where it could record with a do – There was also a need to make it a remaster that makes use of the taste of the recording position by 100%. Therefore, how to sharpen that original sound, how to awaken the possibility of the sound that was asleep was a big task, but it was the Sigma staff who focused on a certain thing and aimed at expanding the range It was a wide feeling of sound.

I know that you listen carefully to the Sigma 177 board, but there you can check the effect of the sound group pickup device picked up by PA direct hit. It is easy to understand that the delay effect of the guitar increases and decreases (= approaches and goes away) in the middle of “Money”, but as it is picking up the sound directly from directly in front of the speaker, Expansion is now one more thing. In addition, the amplitude of the reverberation and the sense of blocking of the whole sound image occasionally appear in the face (sometimes called “Shine On You Crazy Diamond”), which has many gaps between notes and notes (for example “Shine On You Crazy Diamond”) and “Have A Cigar” (* Of course it is too extraordinary enough that it is too extensive enough), expanded the range of 125 Hz to 250 Hz centering on this middle range, a sense of distinctness in the sound near 10 Hz such as a high-pitched air feeling and nuance I thought that you can shift up the appeal of the original sound by adjusting it giving. Moreover, by checking the noise for almost every bar, the transparency is raised further, and the speed of the sound grain and the rise of the edge are realized. As a result, the sound of high precision tone color with a sharp instantaneous power realized sound that grew moisturized and stretched in all directions. In addition, the stereo feeling also increased as a synergistic effect, and in the Sigma 177 board the ultimate 77-year-old Boston was born in which the sound energy hidden deeply pierces the listener’s imagination !!

Suddenly a big topic will suddenly appeared in “Sheep” which will revive with such a brush up feeling sound. As indicated by the improvement point (2) mentioned above, the tape deterioration trace near that 9:07 is completely gone. The result is a perfect finish which I do not know for the first time even if I hear that “this is the part”, so that the speed feeling and driving feeling peculiar to this day are ruined to the end without losing one piece I am realizing the excitement. In “Dogs”, the introduction guitar will breathe again with a core tone, and Gilmore’s close singing voice will be able to experience the remaster’s extreme feeling up to the depth as well as the range expansion. Tam and snare’s attack feeling also stands out more and more, the mass sensation and resolution of the tone color in the second half guitar solo deployed from 13: 27, and the deployment of the final stage which ends after returning to the ensemble are remastering impact of impact It is getting. In “Pigs On The Wing 2”, the spread of lustrous tone color developed so much as to get sigh, the dazzling contrast between the acoustic sound quality in the first half and the latter half electric guitar carried the excitement unknown to the auditory sense I will give it. “Pigs (Three Different Ones)” attracted a lot of dynamic weight feeling in the middle to low range that was sleeping in the original sound. The jolly-gathered sound moves more and more clearly and the contrast with the guitar that sharply cuts like a flash is sometimes finished with the best match. Also, Roger’s feeling of improving the singing voice’s omission is also a topic, and it is also noteworthy that sentences of lyric words and words have clarity. The state of the example shouting the number of performances with “Happy voice” as “Forty-eight (* 48) …” in 7: 11 ~ 12 also increased realism, that charade, that is, the play of words also the glow of each part of the sound It can be realized as.

“Shine On You Crazy Diamond Part 1-5” focuses on the sound of the firecrackers that can be heard for a few seconds before the start of the performance, that is, immediately after the start of the disc and the situation of the scene, and here also the range expansion and the sharpness of the sound are Sigma 177 It is one piece that clearly understands the difference with the board. Even at the beginning of the guitar, the delay sound comes out with a deep sound of carving and the sax that comes out in the second half of the song also comes out with an amazing amplitude depth, and each note has become a real document . “Welcome To The Machine” also bursts the power sound which the weight of the sound expands, the remaster effect which maximally pulled out the power of the bass which was lurking in the original sound pushes like the flood, the synthesizer directive which lasts from 5:32 for a while The feeling also develops with super high resolution toughness sound which is expanded. “Have A Cigar” is also trained and awakens the tone of euphoria like the finish of the polished sound, and even if you set it to “Wish You Were Here”, the wave of the guitar string is the best of grandeur in history I will chew the excitement that drifts in. “Shine On You Crazy Diamond Part 6-9” is a 21-minute period where you can enjoy the exquisite reproduction of the original sound waveform and the spread of fine sounds. It is definitely sure to raise the hearing impression evaluation of listeners also by the separation and dissolution of the sound which is lengthened endlessly here, and the almost silent scene (* 16: 45 – 55) until the performance disappears once and it is handed over to the piano once in the final stage , I had a sense of transparency beyond the original sound. Although “Money” could confirm the delay effect of the guitar in the middle stage by the sound group moving device to be larger or smaller (= approaching and going away) on the Sigma 177 board (5: 33 ~ 8: 13) , It is also a big topic that has come out with sharp sound that vividly diffuses to all directions so far. “Us And The m” also loses the feeling of blocking in the range, Roger does not say here the expansion of the pure dynamic tone and the expansion of the melody Everyone who heard this work shouts “Perfect !!” There is no difference.

Master sound of Hopkins who finally got complete with the latest remaster that was thought out. It can be said that the spread of the sound image is directly related to the spread of the knowledge as it is, but if Hopkins himself listens to this, his recording which should be familiar with listening to it had this possibility I wonder if I can not hide surprises. As well as those who used to listen to Boston for the past 77 years at some former board, even those with Sigma 177 board, this highly accurate upper feeling is intensely witnessing It should be an experience to shake. Finally, with the crown of “DEFINITIVE” appeared, the 77th anniversary of Boston recording, please fold your fingers only a few days, wait for hope in the mind and wait for that electric shock appearance !!

★ I’m upgrading with an equalization that expands the range, the clarity of the performance, stereo feeling has increased.



Us And Them 1977-06-27


Pink Floyd
Definitive Boston 1977 (27th June 1977)
Label: Sigma 226
Japan 2018

1-1 Sheep
1-2 Pigs On The Wing 1
1-3 Dogs
1-4 Pigs On The Wing 2
1-5 Pigs (Three Different Ones)
2-1 Shine On You Crazy Diamond Part 1-5
2-2 Welcome To The Machine
2-3 Have A Cigar
2-4 Wish You Were Here
2-5 Shine On You Crazy Diamond Part 6-9
2-6 Money
2-7 Us And Them

Live at Boston Garden, Boston, MA, USA 27th June 1977 (UPGRADE).
Direct-to-direct transfer of Steve Hopkins' cassette master tapes.


Wish You Were Here 1977-06-27

FLAC
ulozto.net - (841 MB)
ou
mega.nz - (802.30 MB)
ou
1fichier.com - (801.66 MB)

20/03/2017

Pink Floyd 1977-06-27 Boston (Hopkins Master via JEMS) 2017 FLAC




Em 2012, Steve Hopkins gentilmente cedeu à equipe JEMS, sua excelente fita master do Pink Floyd, uma incrível gravação em Boston, no dia 27 de junho de 1977, no famoso Boston Garden em uma apresentação magistral da banda que Roger Waters encerra declarando: "Perfect End To A Perfect Day! Good Night. God Bless"... Certamente uma das melhores fitas da turnê de 1977. A gravadora japonesa Sigma aproveitou a oportunidade da obtenção deste arquivo maravilhoso, e lançou sua versão intitulada "Boston 1977 Master Tapes (Sigma 177)", conservando as características originais da fita de Hopkins.

A equipe JEMS fez todo o trabalho de digitalização da fita master com a ótima qualidade que lhe é peculiar, tendo disponibilizado esta preciosidade por intermédio do membro Nipote, o qual sou grato, no famoso fórum Yeeshkul, que como de costume oferece o que de melhor existe disponível sobre capturas ao vivo (bootlegs) da banda, centenas de arquivos torrent podem ser encontrados neste site excepcional, que reúne entre seus membros, os mais dedicados fãs de que se têm conhecimento, compartilhando um acervo de todos os períodos inteiramente grátis, e mantendo todo este trabalho através de donativos espontâneos.  

Em 2013 publiquei aqui no blog a versão do mesmo show, pela gravadora Sigma utilizando a também excelente fita gravada por "Dan Lampinski" (outro lendário "taper" da época), denominada "Pink Floyd - Definitive Boredom And Pain - (1977) Sigma 65", lançada em 2011. No post você poderá conferir informações da apresentação do Pink Floyd em Boston na ocasião.

O que temos agora para download, são os originais da equipe JEMS, com excelente qualidade sonora. Boa audição! 





Pink Floyd
Boston Garden
Boston, MA
June 27, 1977
Steve Hopkins Master via JEMS
16/44.1 Edition



Tracks:

01 Sheep
02 Pigs On The Wing Part 1
03 Dogs
04 Pigs On The Wing Part 2
05 Pigs (Three Different Ones)
06 Shine On You Crazy Diamond (Parts I-V)
07 Welcome To The Machine
08 Have a Cigar
09 Wish You Were Here
10 Shine On You Crazy Diamond (Parts VI-IX)
encore
11 Money
12 Us And Them

Known Faults:
-Sheep: slight cut in
-Pigs On The Wing Pt 1: splice
-Shine On You Crazy Diamond (Parts VI-IX): splice




Pink Floyd 1977-06-27 Boston (Hopkins Master via JEMS)

FLAC (16-44) 
mediafire.pt1 - (378,06 MB)
mediafire.pt2 - (324,65 MB)
ou
uloz.to.pt1 - (396,00 MB)
uloz.to.pt2 - (340,00 MB)





Abaixo a descrição original da equipe JEMS


In 2012, Steve Hopkins was kind enough to loan JEMS his master cassettes of Pink Floyd, Boston, June 18, 1975, an outstanding recording from the famed Boston Garden, and one of the best tapes of the 1975 tour. We always planned to follow up that well-received project with his equally excellent 1977 master tapes from the same venue and now we have. 

This torrent marks the first time Hopkins' master cassettes have been digital transferred without a media generation in the lineage and in high resolution. Hopkins himself transferred the show to DAT many years ago and there are circulating copies both from CD-R and multi-generation DAT rips. This should be the best transfer of the material to date.

Steve's seats for the show were Section AA, Row 10, Seats 3-4, which put him ten rows back, directly in front of the PA stack stage left (AA being one of four floor sections running right to left facing the stage). I often joke about the "Three Ls of Taping" being location, location, location, and if there was ever a tape to prove that axiom, this is it. His Sony stereo microphone is directly in front of what had to be an extremely loud and stunning clear PA. And while the stereo field of the recording is somewhat narrow, the trade-off in proximity is well worth it.

There is almost no sense of distance from the music to the microphone and ultimately playback. This is nothing short of a breathtaking recording in my opinion.

Over the last decade, I've posted hundreds of shows on behalf of JEMS and mastered nearly all of them to improve the sound. Those I didn't bother to master, I wish I had. I can't think of another recording in all that time that I listened to and thought I didn't need to do anything to improve it except this one. It has exceptional balance, warmth, high highs and low lows. As such, I've elected to leave it as is from a mastering perspective because it is just that good. If it ain't broke, don't fix it. Samples provided.

That being said it has undergone de-clicking, azimuth-correction, level adjustments and other minor fixes we do to everything we post, but we haven't touched the sound characteristics. To offer the best possible quality, we are making the recording available in both 16/44.1 and 24/96 editions, each of them unmastered (in contrast to Steve's 1975 recording, where we mastered the 16/44.1 and left the 24/96 virgin).

It should be noted that Steve missed approximately seven minutes of the show due to taping issues. We have not filled in those gaps from the Lampinski source, though I'm sure the release of Steve's true master will prompt a redo of the extant matrix recording of the two sources. Our pal Goody recently redid the Boston 1975 matrix to much acclaim; perhaps he will do so again for Boston 1977. He was kind enough to review this transfer for pitch issues and gave us his blessing. Much appreciated, Goody. 

Thanks once again to Steve Hopkins for allowing JEMS to present another of his outstanding audience recordings in a fresh light. As someone who has worked with a lot of audience tapes, Steve's work continues to amaze me as some of the very best. I defy anyone to make a better audience recording today, 40 years later. Please show him some love in the comments, he deserves it.

Tip of the hat as well to mjk5510 for doing the final prep work on both versions of the show. It really helps the shows keep flowing.

BK for JEMS

20/04/2013

Pink Floyd - Definitive Boredom And Pain - (1977) Sigma 65 - 2011




Have a Cigar

Esta é uma soberba gravação que registra "Pink Floyd" se apresentando no dia 27 de junho de 1977, no Boston Garden, durante sua etapa americana da turnê "In The Flesh". Poderia ser comparado a um lançamento oficial, não fosse o aparato tecnológico que envolve as super-produções da banda. Definitivamente uma das melhores capturas em qualidade sonora de toda a turnê. 


Boston Garden foi um estádio de hóquei no gelo e também de basquete que abriu em 17 de novembro de 1928 em Boston, Massachusetts, nos Estados Unidos. Projetado pelo promotor de boxe Tex Rickard, que também construiu a terceira encarnação do Madison Square Garden, Nova Iorque, a arena foi originalmente chamada de "Boston Madison Square Garden", mas acabou por ter seu nome reduzido para apenas Boston Garden, embora este acabasse por durar trinta anos a mais que o seu xará original. (Wikipédia)

Surpreendentemente circunstâncias envolvendo a polícia, foram mais frequentes quando o Boston Garden abriu suas portas para o rock, do que até mesmo na época do eventos de pugilismo, ou do hóquei sobre o gelo, onde teoricamente os fãs e os personagens haveriam de estar mais inflamados, influenciados pelo próprio clima da atividade. Em 1972, Rolling Stones tinham seu show no local, e dois de seus membros foram presos em Rhode Island, e o Prefeito interviu temendo a hostilidade dos fãs, viabilizando o evento. Em 73, foi a vez do The Who, todos foram presos por destruir um quarto de um hotel em Montreal na noite anterior, e outra vez a intervenção para o show acontecer. Em 75 o Led Zeppelin, devido ao frio abaixo de zero, o show foi suspenso e desta feita os fãs literalmente quebraram tudo. A banda foi banida por 5 anos de Boston Garden. Em 76, foi a vez do Kiss, mas o grupo simplesmente nem compareceu, se recusou a tocar quando disseram que não poderiam usar o lança-chamas habitual, (imagine Gene Simmons, não poder cuspir fogo...), e a coisa ficou entre a polícia e os fãs.

E foi "Pink Floyd", a primeira banda a se apresentar no Boston Garden, (após reforma do palco orçada em 1 milhão de dólares), durante a "Animals Tour" em 1977, (a primeira vez foi em 1975, na turnê "Wish You Were Here"). De acordo com "Nick Mason" em seu livro Inside Out, "Pink Floyd" também quase foi banido do Boston Garden depois destas apresentações de 77, devido ao uso de pirotecnia durante a sua performance (o porco explodindo em "Pigs - Three Different Ones)", fogos de artifício durante "Sheep", e "Money", entre outros rituais. No entanto, a equipe de turnê da banda ludibriou os bombeiros removendo os resíduos pirotécnicos rapidamente, evitando que a banda fosse proibida de se apresentar por lá novamente, ainda de acordo com o livro de "Mason", segundo seu gerente Steve O'Rourke, a banda escapou de ser presa. "Pink Floyd" não iria tocar no local novamente, optando pelo Providence Civic Center e o Foxboro Stadium, durante as turnês de 1987/88, e 1994, respectivamente, podendo então assar seu porquinho sossegados.

A primeira etapa deste espetáculo é composta de todo o LP "Animals", para então na etapa seguinte executar na integra o seu recente sucesso "Wish You Were Here", encerrando com os habituais "Money" e "Us and Them". Como aconteceu ao longo desta brilhante turnê, a platéia vibra incessantemente. A banda oferece um desempenho muito agradável, e vários momentos se destacam. Me chamou a atenção por exemplo, o desempenho de "Snowy White" acrescentando solos no final de "Pigs On The Wing. part 2" e à extensão de "Have A Cigar", e ainda assumindo as partes de baixo em "Sheep" e "Pigs (Three Different Ones)", enquanto "Waters" toca guitarra. Como de hábito um show de "Richard Wright", toda a exuberância da guitarra de "Gilmour", e "Nick Mason" esbanjando categoria. Além de tudo, em minha opinião, um dos períodos mais brilhantes de toda a carreira de "Roger Waters". Penso que "Animals" o eleva a um patamar diferenciado, um estado de graça que só os gênios conseguem obter.

Entendendo, este show como um momento memorável na turnê. "Waters" encerra afirmando: "Perfect End To A Perfect Day! Good Night. God Bless". Sem dúvida este registro é imprescindível em qualquer acervo ou coleção. 

Vou comentar um pouco sobre autor desta gravação maravilhosa, um amante da música como nós, uma lenda para todos os fãs de gravações ao vivo extra-oficiais. "Dan Lampinski" um cara com uma imensurável paixão pela música, a qual incorporou-se em um objetivo: gravar todos os shows em que pudesse estar presente o mais fielmente possível. Suas realizações cumprem um capítulo à parte, tornaram-se uma referência para alguns dos melhores registros. "Lampinski" teve a oportunidade de ver ao vivo a maioria dos artistas que fazem parte da história e, graças à sua paixão, amantes de bootlegs podem se divertir com boas gravações, algo muito próximo de um registro oficial, algumas vezes até melhor. Além do "Pink Floyd", bandas como Yes, Genesis, Queen, Blue Oyster Cult, Frank Zappa, Lynyrd Skynyrd, Jethro Tull, ELP, Kiss, Black Sabbath, The Who, Allman Brothers, Jeff Beck, Bruce Springsteen, Supertramp, Neil Young, The Faces, do Rush, Kansas e muitos outros, fazem parte de seu extraordinário acervo musical.

Ativo entre Providence e Boston, (distam cerca de 60 km), principalmente entre 1974 e 1978, Dan começou com as gravações num crescente progresso em qualidade, tornando-se responsável pela captura de alguns momentos memoráveis ​​da história do rock. Vale lembrar, numa época quando na melhor das hipóteses a ferramenta era um gravador cassete como os que ele possuía (um Nakamichi 550 (Maxell) e dois Nakamichi CM-300 com microfones externos), mas acima de tudo, seu maior mérito foi estar sempre focado em prover qualidade, e ele sempre conseguia se posicionar no melhor lugar do local. Gravando para si mesmo e às vezes para os amigos, o material coletado nunca viu a luz do dia através de um bootleg, sendo mantido por anos, todos com o máximo cuidado (ele nunca quis vender uma fita sequer), e apenas recentemente a maioria de suas gravações começaram a circular entre as gravadoras. Claro que o material deve ser espalhado pela a alegria da partilha, sem objetivar absolutamente lucro algum, e sempre não se esquecendo de prestar uma homenagem à generosidade deste grande amante do rock. E esta foi a forma que encontrei de agradecer "Dan Lampinski" com uma singela, mas sincera homenagem trazendo a tona alguns fatos desta incrível jornada.

A gravadora japonesa Sigma incumbiu-se de acrescentar as últimas lapidadas à este diamante, conseguindo torná-lo ainda um pouco mais brilhante. Boa audição!



Shine On You Crazy Diamond Pts. 1-5




Pink Floyd


Definitive Boredom And Pain - (Sigma 65)

Live At Boston Garden, Boston, 
Massachusetts, USA - June 27th 1977

Japan Edition - 2011


Disc 1:
1. Sheep
2. Pigs On The Wing Pt. 1
3. Dogs
4. Pigs On The Wing Pt. 2
5. Pigs (Three Different Ones)

Disc 2: 
1. Shine On You Crazy Diamond Pts. 1-5
2. Welcome To The Machine
3. Have A Cigar
4. Wish You Were Here
5. Shine On You Crazy Diamond Pts. 6-9
6. Money, Us And Them




FLAC
mediafire.CD1.part1 - (192,40 MB)
mediafire.CD1.part2 - (134,00 MB)
mediafire.CD2.part1 - (198,00 MB)
mediafire.CD2.part2 - (195,93 MB)
mediafire.CD2.part3 - (91,00 MB)
Mp3 - 320 Kbps - 48 kHz
mediafire.CD1 - (111,00 MB)
mediafire.CD2 - (154,00 MB)
ou
4shared.CD1 - (113,70 MB)
4shared.CD2 - (158,07 MB)
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